The beauty of good design

Danger - weir

… is that it ages gracefully. And stylishly. Because it has integrity.

This sign, alongside the Stour at lower Bryanston, says what it needs to say in a plain, simple, appropriate font, and just keeps on geting better as the years pass.

Photograph taken during a morning walk with the dog in the present cold snap. The winter festival (just kidding), with added illness, provided some time for reading, including Kingsley Amis’s classic first novel, Lucky Jim where he is already firing on all cylinders:

‘I just wondered,’ Beesley said, bringing out the curved nickel-banded pipe round which he was trying to train his personality, like a creeper up a trellis. ‘I thought I was probably right.’

Skewered in a single aside. An object lesson in making words work. Not far from Proust’s less harsh but equally damning characterisation of Dr Cottard in Swann In Love who was ‘never quite certain of the tone in which he ought to reply to any observation, or whether the speaker was jesting or in earnest …

And so by way of precaution he would embellish all his facial expressions with the offer of a conditional, a provisional smile whose expectant subtlety would exonerate him from the charge of being a simpleton, if the remark addressed to him should turn out to have been facetious. But as he must also be prepared to face the alternative, he dared not allow this smile to assert itself positively on his features, and you would see there a perpetually flickering uncertainty in which could be deciphered the question that he never dared to ask: ‘Do you really mean that?’

I was very pleased to be given This Book Will Save Your Life by A. M. Homes. A good, easy read which bounds along engagingly: Chocolat meets The Life of Pi, with added donuts. Enjoy.

Finally, with best wishes, a thought for the new year (where danger ahead also threatens). This from one of Jeanette Winterson’s recent newsletters:

Do it from the heart or not at all

Happy New Year.

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